This report is intended for internet users from Iran. In Iran, access to websites and services may be blocked and monitored by the Iranian government. This re
The number of publications from Iran has grown from just 736 in 1996 to 13,238 in 2008 — making it the fastest growing country in terms of numbers of scient
With millions of article impressions and thousands of articles on Payvand.com every year, here are the top 20 news stories most viewed, in case you missed any.
These viral articles are a reflection of what captured our attention the most in 2011.
Elham Ataei Azar was born in 1984 in the city of Tabriz in northwestern Iran. She has earned her Masters in Physics. In this cartoon set, she is displaying 31 digitally created artworks about the different characters of women’s wagons in Tehran Metro. Ataei Azar held an exhibition in early September in Tehran displaying this group of works as Men Do Not Enter.
A profusion of vibrant colours and patterns has always been one of the main features of traditional Iranian dress since ancient times. This characteristic is still evident in the traditional dresses of rural and tribal women, whereas in the polluted, built-up environment of towns and cities it has succumbed to dull, monotone colours.
Respected documentary producers Cogent/Benger Production produced the VisonTV documentary series, Sex Scandals In Religion. The series looks at alleged sexual abuses committed in various world religions – Judaism, Buddhism, Islam, Christianity.
AB PROJECTS Zurich showcases Iranian artist Samira Alikhanzadeh. Old photographs and the play with colors and mirror fragments are characteristic of the series “With the Passage of Time”. The single mirror elements open the art work to its surrounding and create a dialogue between the observer and the work.
The successful Iranian photographer, Azadeh Akhlaghi, initially wanted to become a poet. She was perhaps inspired by her birthplace, Shiraz, whose name is synonymous with poetry and has produced some of the most revered poets of Iran.
Tehran – Henna Art Gallery Dec 31 2010 – Jan 14 2011
Henna Art Gallery is pleased to present the Works of four Young Iranian women: Mina Anooshei, Mahsa Tehrani, Naeeme Naeemaee and Elham Sadeghi. Their paintings reflect their own personal lives while being deeply poetic and internal.
“I want to show you images that will be like a slap in your face to shatter your security. You can look away, turn off, hide your identity like murderers, but you can not stop the truth. No one can.” Kaveh Golestan (1950 – 2003)
Red Light district of Shahre-No demonstrates the realities of the plight of prostitutes under the Shah’s regime.
Maryam Javanbakht works in the millennia-old style of traditional black and white Iranian calligraphy. Her hybrid practice involving watercolor, gauche, chalk and ink on paper, known as “Naghashi Khat” (painting-calligraphy) imbues classic Iranian poems like those of Molavi, Hafez, Khayyam and Baba Taher with a transatlantic contemporary flair.
In March 2005, KEEMIA showed the debut collection, ‘Love on the Loire’, during Los Angeles Fashion Week.
Her first collection of intricately designed pieces defined and set the pace for the now highly covetable KEEMIA signature aesthetic. The KEEMIA woman is feminine, at ease with herself, and chic.
The Islamic Republic of Iran is believed to have the largest number of people who inject drugs in the region, and its HIV epidemic is centred mainly within this population group.
An estimated 14% of people who inject drugs countrywide were living with HIV in 2007.
Rome’s National Museum of Oriental Art has displayed the reconstructed face of a female skeleton which was found in Iran’s Burnt City wearing an artificial eyeball.
Social institutions that have been around for thousands of years generally change slowly, when they change at all. But that’s not the way things have been playing out with marriage and family since the middle of the 20th Century.
Cartoons are generally enjoyed for their wit, satire, or just for the sheer fun of them. But in some parts of the world they can provoke anger, outrage, or even violence and death, as was the case with the Danish cartoons a few years ago.